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Home Issues 2023 Year Issue №6 Russian text “Orpheus in Hell” by V. Mass and N. Erdman in relation to the libretto of Offenbach’s operetta
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Russian text “Orpheus in Hell” by V. Mass and N. Erdman in relation to the libretto of Offenbach’s operetta

Golovchiner Valentina Egorovna, Levanova Ekaterina Fedorovna

DOI: 10.23951/1609-624X-2023-6-122-131

Information About Author:

Golovchiner V. E., Doctor of Philological Sciences, Professor, Tomsk State Pedagogical University (ul. Kiyevskaya, 60, Tomsk, Russian Federation, 634061). Levanova E. F., postgraduate student, Tomsk State Pedagogical University (ul. Kiyevskaya, 60, Tomsk, Russian Federation, 634061).

Today, the name of the playwright Nikolay Robertovich Erdman is widely known in the world theatrical space, primarily as the name of the author of two plays for the drama theater “Mandate” and “Suicide”. Written in 1925 and 1928, they received the highest appraisal of the figures of the national theater, but were banned by the Main Repertory Committee in the early 1930s and only in the late 1980s were published in the author’s homeland. Since then, they have been predominantly the object of attention of domestic literary critics. Few people know about the works created by Erdman in different years with co-authors, including for musical theaters. For the most part, they have not been published, and as a result, they did not fall into the field of view of researchers. The still unpublished text of the play by V. Mass and N. Erdman to the music of the operetta Orpheus in Hell by J. Offenbach became the subject of literary research for the first time. The story of Orpheus and Eurydice has long been of interest to composers and artists, but the composer J. Offenbach and his librettists were the first to present it in a clearly comic development. In travestying the main characters of ancient history, its plot situations, French authors of the mid-nineteenth century focused on the moral and everyday side of the private life of high-ranking people. Creating their text to the music of J. Offenbach, Russian playwrights developed its travesty expressiveness in the dialogues of action, represented in the comic history of heroes with mythological names the growing trends in world political reality at the turn of the 1920s–1930s.

Keywords: J. Offenbach, “Orpheus in Hell”, libretto, operetta, public opinion, V. Mass, N. Erdman, travesty, play, dialogue, action, image of the burgomaster

References:

1. Guterts A., Fridman Dzh. Osnovnyye daty zhizni i tvorchestva Nikolaya Robertovicha Erdmana [The main dates of the life and work of Nikolai Robertovich Erdman]. In: Erdman Nikolay. Pesy. Intermedii. Pisma. Dokumenty. Vospominaniya sovremennikov [Erdman Nikolay. Plays. Sideshows. Letters. Documentation. Memoirs of contemporaries]. Moscow, Iskusstvo Publ., 1990. P. 513–523 (in Russian).

2. Mass V., Erdman N. Prekrasnaya Elena [Beautiful Elena]. Vestnik Tomskogo gosudarstvennogo pedagogicheskogo universiteta – Tomsk State Pedagogical University Bulletin, 2001, vol. 7 (109), pp. 200–245 (in Russian).

3. Golovchiner V. E. “Prekrasnaya Elena” – problema identifikatsii “leningradskogo” teksta V. Massa i N. Erdmana [“Beautiful Elena” – the problem of identification of the “Leningrad” text by V. Mass and N. Erdman]. Teatron, 2013, no. 1, pp. 43–52 (in Russian).

4. Cremieux M. H. Orphee aux enfers. Opera-buffon in deuxactes. Paris Labrairenouvelle, 1860. 113 p. (Russ. ed.: Kremye M. Kh. Orfey v adu. Opera – buff v dvukh aktakh. Parizh. Novaya biblioteka Publ., 1860. 113 p.)

5. Mass V., Erdman N. Orfey v adu [Orpheus in Hell]: [rukopis’]: operetta-feeriya: v trekh deystviyakh. Muzyka Zh. Offenbakha; Leningradskii obllit. Lit. “B” No. 1078. L. 68 (From the personal archive of Professor V. E. Golovchiner) (in Russian).

6. Traubner R. Operetta. A theatrical history. Routledge. New York, 2003. 472 p. (Russ. ed.: Traubner. R. Operetta. Istoriya teatra. Rutledzh. New York, 2003. 472 p.)

7. Yadov V. G. Obozreniye teatrov [Theatrical review]. Ezhednevnaya illiustrirovannaya teatral’naya gazeta. Subbota. 4 avgusta. Saint Peterburg, 1907, no. 162. P. 4 (in Russian). URL.: http://full.sptl.spb.ru/ORIRK/OBOZRENIE_TEATROV/ot_1907_n_162(04.08).pdf (accessed 11 March 2022).

8. Minyu Ch., Tszyun L. Istoki Evropeyskoy opery [Оrigins of European opera]. Sovremennyye problemy nauki i obrazovaniya – Modern Problems of Science and Education, 2010, no. 1, pp. 33–38 (in Russian).

9. Yankovskiy M. Operetta. Vozniknoveniye i razvitiye zhanra na Zapade i v SSSR [Operetta. The emergence and development of the genre in the West and in the USSR]. Leningrad – Moscow, Iskusstvo Publ., 1937. 456 p. (in Russian).

10. Mikheyeva L., Orelovich A. V mire operetty [In the world of operetta] (in Russian). URL: https://ru-operetta.livejournal.com/33579.html (accessed 12 March 2022).

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12. Wells W.B. The Modern French Drama, Boston, 1896. 510 p.

golovchiner_valentina_egorovna_122_131_6_230_2023.pdf ( 537.05 kB ) golovchiner_valentina_egorovna_122_131_6_230_2023.zip ( 513.65 kB )

Issue: 6, 2023

Series of issue: Issue 6

Rubric: RUSSIAN LITERATURE AND LITERATURE OF THE PEOPLES OF THE RUSSIAN FEDERATION

Pages: 122 — 131

Downloads: 669

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