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. // Tomsk State Pedagogical University Bulletin. 1999. Issue 6 (15). P. 16-22

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. // Tomsk State Pedagogical University Bulletin. 2000. Issue 6 (22). P. 75-76

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On the Question of Chechov's World Outlook // Tomsk State Pedagogical University Bulletin. 2001. Issue 1 (26). P. 29-34

The paper is investigating the natural scientific basis of A. P Chechov's creative work assuming that basis as a source of the synergetical comprehension of the place of Man in the world, which view is flourishing at present. This approach substantiates the fundamental peculiarities of Chechov's creative work and its present actuality.

The Images of the Infinite in Turguenev's Works // Tomsk State Pedagogical University Bulletin. 2003. Issue 1 (33). P. 5-9

The author analyzes the evolution of the images of «the great space» representing in the fullest form the ontological notion of the artist. The author displays the step (moor) with its national semantics being ousted by the sea with its existential semantics. The article exam¬ines the development of the semantic complex of the sea in Turguenev's stories «Traveling to Polesje» and «On the Eve».

«The Cherry Garden»: The Sight a Century Later // Tomsk State Pedagogical University Bulletin. 2004. Issue 3 (40). P. 12-19

A.P. Chekhov’s last play is analyzed in comparison to his previous dramas and in a context of his late creativity. The comedy essence of «the Cherry garden» is connected with the refusal from the human principle of the outlook. The play is treated as a model of optimistic alternative of the tragical concept of the history.

Textual Conversion in the Translation of Poems (Ph.l. Tyutchev and F. Shiller) // Tomsk State Pedagogical University Bulletin. 2006. Issue 8 (59). P. 47-53

The poem «A cool and mild breath is coming from the iake,,,» («C oзepa вeeт npoxлaда...» (1854)) by Ph.l. Tyutchev, a translation of an extract from F. Shilier's «William Tells, is compared with the original. The differences are viewed as an explication of two different pictures of the world, The author of the article formulates the regularities forming the system unity of Ph.l. Tyutchev's poetry.

- // Tomsk State Pedagogical University Bulletin. 2007. Issue 8 (71). P. 145-147

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«HOME OF THE GENTRY» AND PARISIAN «COSY HOME» // Tomsk State Pedagogical University Bulletin. 2010. Issue 8 (98). P. 53-56

The article presents analysis of the title motif «gnezdo» in the novel «Home of the Gentry» by I. Turgenev. On the assumption of the opposite image «gnezdyshko» here are given some observations and conclusions concerning its own meanings, connected with Turgenev's philosophical and world-view conception.

Keywords: I. Turgenev, the novel «Home of the Gentry», Parisian topos, Russian national life's conception, Turgenev's existential conception

ТHE LEVEL OF RELIABILITY OF TRANSLATED TEXTS IN TEACHING FOREIGN LITERATURE // Tomsk State Pedagogical University Bulletin. 2013. Issue 2 (130). P. 69-75

By example of Russian translations of the novels “The Red and the Black” by Stendhal and “Journey to the End of the Night” by Cйline the article studies the level of reliability of translated texts in teaching foreign literature.

Keywords: foreign literature, teaching literature, fiction translation, transformations, novel “The Red and the Black” by Stendhal, “Journey to the End of the Night” by L. F. Cйline

“THE LADY WITH THE DOG” BY A. P. CHEKHOV: “CONTINUOUS PERFECTION” AND ITS TRANSLATION TRANSFORMATION // Tomsk State Pedagogical University Bulletin. 2014. Issue 7 (148). P. 157-165

Studying of the short story “The Lady with the Dog” demonstrates an indissoluble correspondence between its artistic structure and ontologic views of A. P. Checkov in his last years of writing when he treated a person’s life like an element of a global natural life. The article deals with artistic and conceptual transformation of the short story in a German translation by Aleksandr Eliasberg.

Keywords: A. P. Checkov, short story, “The Lady with the Dog”, text structure, motive, translation, A. Eliasberg

CHEKHOV'S RAVINES // Tomsk State Pedagogical University Bulletin. 2015. Issue 10 (163). P. 119-127

The article interrogates the chronotope of the ravine which is virtually unexplored in Russian literature of the 19th century (I. S. Turgenev, I. A. Goncharov, L. N. Tolstoy), and mainly in A. P. Chekhov’s prose (Thieves, Gusev, In a native corner, In the ravine). Semantics of the absolute turn inherent in the ravine as a cultural sign evolves into Chekhov's works corresponding to the general evolution of his work in its last period to the universal capacity never seen before. The way the ravine is transformed by Chekhov in his works clearly and succinctly reveals the logic of Chekhov’s creative evolution on the whole. Conclusions drawn in the article are based on coherent and versatile comparative analysis of the texts presenting primary literary and figurative motifs which embody the concept basis of Chekhov’s works (life, death, everything / nothing, and other) along with chronotopos and narration analysis.

Keywords: Russian literature of the 19th century, I. S. Turgenev, I. A. Goncharov, L. N. Tolstoy, A. P. Chekhov, the chronotope of the ravine, “Thieves”, “Gusev”, “In a native corner”, “In the ravine”