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Home Issues 2014 Year Issue №11 ABOUT THE PROBLEM OF CONVENTION IN LITERATURE (THE FIRST ARTICLE: HISTORY OF THE QUESTION)
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Яндекс.Метрика

ABOUT THE PROBLEM OF CONVENTION IN LITERATURE (THE FIRST ARTICLE: HISTORY OF THE QUESTION)

Golovchiner V.E., Rusanova O.N.

Information About Author:

The examined material allows the authors of the article to believe that convention as a concept has arisen relatively recently and as the phenomenon it showed itself always in different ways and in historically varying creation principles of a work of literature as a whole. Actualisation of the discussion of the latter aspect designated differently occurs, as a rule, in situations of social commotion or during the time of renewal of art language. As regards to Russian history of trying to interpret convention, co-authors attach great importance to Pushkin's reflexion in his polemics with Aristotle's followers. In collected articles about new theatre of 1908 and 1914 years, convention means a category and later avant-gardist in their performances of 1920s developed the ideas of Aristotle's followers.

Keywords: “Poetics” by Aristotle, article «About a national drama and the drama “Marfa-posadnitsa” (Martha the Mayoress)» by A. Pushkin, “The Montage of Attractions” by S. Eisenstein, V. Bryusov, V. Meyerhold, V. Mayakovsky, S. Tretyakov, imitation, realism, natura

References:

1. Poetics: dictionary of modern terms and concepts. Moscow, 2008. 358 p. (in Russian).

2. Dmitriev V. A. Realism and artistic convention. Moscow, 1974. 279 p. (in Russian).

3. Khalizev V.E. Theory of literature. 3-d edition. Moscow, Vyisshaya shkola Publ., 2002. 437 p. (in Russian).

4. Aristotle. Poetics. (Russ. ed. Aritotel Ob iskusstve poezii. per. V. G. Appelrot. Moskow, Gospolitizdat Publ., 1957. 183 p.)

5. Pushkin A. S. Collected works. Leningrad, vol. 7, 1978. 543 p. (in Russian).

6. Golovchiner V. E. A. S. Pushkin on “reform” of drama. Text – Kommentary – Interpretation. Novosibirsk State University Bulletin. 2008, pp. 50–58 (in Russian).

7. Meyerkhol'd V. E. Artices. Speeches. Letters. Conversations. Part 2. 1917–1939. Moscow, 1968. 482 p.

8. THEATRE. Book about new theatre. Moscow, RATI-GITIS Publ., 2008. 239 p. (in Russian).

9. Tret'yakov S. M. Do you hear, Moscow?! Moscow, 1966. 240 p. (in Russian).

10. Batrakova S. O. On the nature of artistic generalisation. Types of art and contemporaneity. Moscow, 1962. 174–199 p. (in Russian).

11. Golovchiner V. E. Epic Drama in the Russian Literature of the XX century. Second, revised and expanded edition. Tomsk, TPSU Publ., 2007. 320 p. (in Russian).

12. Dashevskaya O. A.“Dragon” E. Shvarts's and “Iron mystery” D. Andreev's: conditional models of the drama in the 1940-1950ies literature. Tomsk State Pedagogical University Bulletin, 2008, no. 2 (76), pp. 91–96 (in Russian).

13. Izmesteva K. V. Transformation of the fairy-tale motifs in the play L. Filatov “About Fedot-shooter, daring good fellow”. Tomsk State Pedagogical Universitu Bulletin, 2014, no. 7 (148), pp. 204–210 (in Russian).

14. Efremova O. A. The spatial organization of “The mere” by A. Remizov as a conditional model. Tomsk State Pedagogical Universitu Bulletin, 2014, no. 11 (152), pp. 36–38 (in Russian).

golovchiner_v._e._9_15_11_152_2014.pdf ( 441.45 kB ) golovchiner_v._e._9_15_11_152_2014.zip ( 434.61 kB )

Issue: 11, 2014

Series of issue: Issue 11

Rubric: ISSUES OF THE THEORY OF CONVENTION

Pages: 9 — 15

Downloads: 1658

For citation:


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