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Home Issues 2017 Year Issue №7 ITALIAN PAINTING IN THE CREATIVITY OF V. F. ODOEVSKY: THE IMAGE OF MADONNA
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Яндекс.Метрика

ITALIAN PAINTING IN THE CREATIVITY OF V. F. ODOEVSKY: THE IMAGE OF MADONNA

Pushkareva Yuliya Evgenyevna

DOI: 10.23951/1609-624X-2017-7-134-139

Information About Author:

Pushkareva Y. E., National Research Tomsk State University (pr. Lenina, 36, Tomsk, Russian Federation, 634050). E-mail: pia11@yandex.ru

The article examines the issue of Italian painting reception in the creativity of V.F. Odoevsky at the levels of images, motives, allusions. This issue is associated with pictorial art as a challenge for Odoevsky. Italian art in his prose is connected with a creator’s destiny: his …, insanity, unrealized … Art and creativity express chaotic and irrational part of the human nature, forming opposition with philosophy. The image of Italian Madonna is interpreted as an aesthetic and etic ideal of beauty. Odoevsky’s perception in this aspect corresponds with perception of the Lubomudry in general. This idea of perfection reflected in the images of wise and beautiful women playing the role of Muse. In aesthetic conception of Vackenroder the same image creates ties between art and religion. Madonna is identified in short stories “Vicenzio and Cecilia”, “The improvisator”, in stories “Silphide” and “Black glove”. Odoevsky uses ideas of German romanticists and Zhukovsky, but reconsiders them. For example, Cecilia embodies not only beauty, but also spiritual independence. The picture with Madonna in “The improvisator” expresses motive of beauty damaged by analysis and rationality. In the image of Siphide Odoevsky combines features of Venus, the divine of love and beauty painted by Botticelli, and Cristian Madonna. “Black glove” demonstrates absence of Madonna (line of Maria) in modern world. In conclusion, interpretation of Madonna’s image is included in Italian text system of the Lubomudry. However, Odoevsky adds to this text individual features typical of his philosophical prose.

Keywords: the Lubomudry, Russian romanticism, Italian text, the image of Madonna

References:

1. Tur’yan M. A. “Strannaya moya sud’ba…” O zhizni Vladimira Fedorovicha Odoevskogo [“My strange destiny...” On the life of Vladimir Fedorovich Odoevskiy]. Moscow, Kniga Publ., 1991. 400 p. (in Russian).

2. Mann Yu. V. Russkaya filosofskaya estetika 1820–1830 gg. [Russian philosophic aesthetics of 1820–1830]. Moscow, Iskusstvo Publ., 1969. 302 p. (in Russian).

3. Murav’ev V. S. Russky Faust [The Russian Faust]. V. F. Odoevsky. Russkiye nochi [Russian nights]. Moscow, EKSMO Publ., 2007. Pp. 5–44. (in Russian).

4. Tavrina A. M. Obraz geroya-tvortsa v russkoy romanticheskoy proze 30-kh godov XIX veka [The image of the hero-creator in Russian romantic prose in 30-ies of the 19th century]. Vestnik Tomskogo gosudarstvennogo pedagogicheskogo universiteta – TSPU Bulletin, 2012, 9 (124), pp. 110–116 (in Russian).

5. Odoevskiy V. F. Russkiye nochi: roman. Povesti. Rasskazy. Skazki [Russian nights: novel. Stories. Short stories. Fairy tales]. Moscow, EKSMO Publ., 2007. 640 p. (in Russian).

6. Eco U. Iskusstvo i krasota v srednevekovoy estetike. Per. s ital. A. Shurbeleva [Art and beauty in the medieval aesthetics. Translated from Italian by A. Shurbelev]. Moscow, Korpus Publ., 2014. 352 p. (in Russian).

7. Sedel’nikova A. V. Literatura i zhivopis’ v khudozhestvennoy kritike A. N. Maykova. Stat’ya pervaya. Osnovy sblizheniya slovesnogo i izobrazitel’nogo iskusstv v kriticheskom nasledii A. N. Maykova [Literature and pictorial art in A. N. Maikov’s artistic criticism. Article one: the ground for oral lore and pictorial art rapprochement in A. N. Maikov’s critical legacy]. Vestnik Tomskogo gosudarstvennogo universiteta. Filologia – Tomsk State University Bulletin. Philology, 2016, 3 (41), pp. 156–169 (in Russian).

8. Lebedeva O. B., Yanushkevich A. S. Sikstinskaya Madonna Rafaelya v russkoy slovesnoy kul’ture pervoy poloviny XIX veka: zhiznetvorchesky ekfrasis [Madonna Sistina by Raphael in Russian literary culture of the first half of the 19th century: life and creativity ekphrasis]. Paralleli: studi di letteratura e cultura russa. Per Antonella D’Amelia. A cura di Cristiano Diddi e Daniela Rizzi. Salerno, 2014. Pp. 109–110. (in Russian).

9. Vackenroder V.-G. Fantazii ob iskusstve. Per. s nem. [Fantasies about the art. Translated from German]. Moscow, Iskusstvo Publ., 1977. 263 p. (in Russian).

10. Odoevskiy V. F. Vichentsio i Tsetsiliya [Vicenzio and Cecilia]. Lib.ru: Biblioteka Maksima Moshkova [Lib.ru: Library of Maxim Moshkov]. Moscow, 1994-2016. (in Russian). URL: http://az.lib.ru/o/odoewskij_w_f/text_0240.shtml (accessed: 25.09.2016).

11. Odoevskiy V. F. Sil’fida [Silphide]. Russkiye nochi [Russian nights]. Moscow, EKSMO Publ., 2007. Pp. 315–338 (in Russian).

12. Sinichkin P. 14 simvolov, zashifrovannykh v “Venere” Bottichelli [14 symbols encrypted in Venus by Botticelli]. Setevoye izdaniye “Sayt VokrugSveta.ru” [Online edition «VokrugSveta.ru]. (in Russian). URL: http://www.vokrugsveta.ru/article/198507 (accessed: 28.02.2017).

13. Odoevskiy V. F. Chernaya perchatka [Black glove]. Russkiye nochi [Russian nights]. Moscow, EKSMO Publ., 2007. Pp. 553–559 (in Russian).

pushkareva_y._e._134_139_7_184_2017.pdf ( 362.78 kB ) pushkareva_y._e._134_139_7_184_2017.zip ( 354.4 kB )

Issue: 7, 2017

Series of issue: Issue 7

Rubric: PROBLEMS AND POETICS OF THE RUSSIAN LITERATURE OF XIX-XX CENTURIES

Pages: 134 — 139

Downloads: 1249

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