Tomsk State Pedagogical University Bulletin
RU EN






Today: 05.01.2026
Home Issues 2018 Year Issue №3 DEVELOPMENT OF THEORETICAL THINKING OF STUDENTS IN PROFESSIONAL TRAINING OF PERFORMING MUSICIANS
  • Home
  • Current Issue
  • Bulletin Archive
    • 2025 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2024 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2023 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2022 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2021 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2020 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2019 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
    • 2018 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
    • 2017 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2016 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2015 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2014 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2013 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2012 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2011 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2010 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2009 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2008 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2007 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
    • 2006 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2005 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 2004 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 2003 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
    • 2002 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2001 Year
      • Issue №1
      • Issue №2
      • Issue №3
    • 2000 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
    • 1999 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 1998 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 1997 Year
      • Issue №1
      • Issue №2
      • Issue №3
  • Search
  • Rating
  • News
  • Editorial Board
  • Information for Authors
  • Review Procedure
  • Information for Readers
  • Editor’s Publisher Ethics
  • Contacts
  • Manuscript submission
  • Received articles
  • Accepted articles
  • Subscribe
  • Service Entrance
vestnik.tspu.ru
praxema.tspu.ru
ling.tspu.ru
npo.tspu.ru
edujournal.tspu.ru

TSPU Bulletin is a peer-reviewed open-access scientific journal.

E-LIBRARY (РИНЦ)
Ulrich's Periodicals Directory
Google Scholar
European reference index for the humanities and the social sciences (erih plus)
Search by Author
- Not selected -
  • - Not selected -
Яндекс.Метрика

DEVELOPMENT OF THEORETICAL THINKING OF STUDENTS IN PROFESSIONAL TRAINING OF PERFORMING MUSICIANS

Kurbonova G.N., Kondratova N.N.

DOI: 10.23951/1609-624X-2018-3-126-130

Information About Author:

Kurbonova G. N., Khakass State University named after N. F. Katanov (ul. Lenina, 90, Abakan, Khakassia, Russian Federation, 655017). E-mail: kurbonova.g@mail.ru Kondratova N. N., Khakass State University named after N. F. Katanov (ul. Lenina, 90, Abakan, Khakassia, Russian Federation, 655017).

In the professional training of a musician-performer a wide range of problems is investigated. The question of the development of theoretical thinking of the artist has always been at the center of scientific interests, since the effectiveness of the subsequent musical, performing and pedagogical activity of the graduate depends on his decision. The specificity of the theoretical thinking of the musician-performer is considered. On the one hand, it is closely related to the content and logic inherent in music by its author. On the other hand, it deciphers the author‘s intention, in order to intone it in sounds for listeners. Consequently, the theoretical thinking of the performer from the philosophical standpoint is revealed in the dialectic of artistic time and intonation. Further, the content of conceptprocesses is revealed: artistic time, intonation. The creation of artistic time and its intonation are two interrelated and at the same time independent types of artistic activity. From this unity and struggle, the energy of self-movement and self-expression of the performer is born, an artistic interpretation of the author‘s design is created. An algorithm for the theoretical thinking of the performer is considered. This is the process of the afterlife of the formation of the musical form as a whole formation, where the form is derived from the content as a concrete from the universal. Describes the practical experience of the analysis of the play by Claude Debussy „Snow Dances“ from the cycle “Children‘s Corner” in the class “Piano”. Taking into account the fact that one of the main criteria of the Impressionists was the “living” attitude to the world around: the view, the moment, the impression, the predominance of colors, it is important to disclose in the work on the product the specific ways of the author‘s embodiment of content. All formative elements of the play are considered inextricably linked with the image.

Keywords: thinking, theoretical thinking, logic, contradiction, artistic time, intonation, theoretical analysis, analysis of a work

References:

1. Kratkiy slovar’ po fi losofi i. 3-e izd., dorab. i dop. [A brief dictionary of philosophy]. Ed. by I. V. Blauberg, I. K. Pantin. Moscow, Politizdat Publ., 1979. 413 p. (in Russian).

2. Vostrikov A. A., Dudina E. N. Kontseptsiya podgotovki pedagogov-issledovateley na osnove kompetentnostnogo podkhoda [The conception for training of teacher-researcher on the basis of competence approach]. Vestnik Tomskogo gosudarstvennogo pedagogicheskogo universiteta – TSPU Bulletin, 2011, vol. 1 (103), pp. 59–62 (in Russian).

3. Feynberg S. E. Pianizm kak iskusstvo. 2-e izd., dop. [Pianism as art]. Moscow, Muzyka Publ., 1969. 598 p. (in Russian).

4. Davydkina V. V. Khudozhestvennyye znaniya, umeniya i navyki v professional’noy deyatel’nosti pedagoga iskusstva. Dis. kand. ped. nauk [Artisti c knowledge and skills in the professional work of an art teacher. Diss. cand. ped. sci.]. Moscow, 2004. 159 p. (in Russian).

5. Il’yenkov E. V. Filosofi ya i kul’tura [Philosophy and culture]. Mysliteli XX veka [Thinkers of the twentieth century]. Moscow, Izd. polit. literatury Publ., 1991. 459 p. (in Russian).

6. Rodnyanskaya I. B. Khudozhestvennoye vremya i khudozhestvennoye prostranstvo [Artistic time and art space]. Kratkaya literaturnaya entsiklopediya: v 9 t. T. 9 [A short literary encyclopedia: in 9 vol. Vol. 9]. Moscow, Sovetskaya Entsiklopediya, 1978. Pp. 772–780 (in Russian). URL: http://www.studmed.ru/view/rodnyanskaya-ib-hudozhestvennoe-vremya-i-hudozhestvennoe-prostranstvo-statya-iz-9-toma-kratkoyliteraturnoy-enciklopedii_f4bcc837d22.html (accessed 6 November 2017).

7. Asaf’ev B. V. Izbrannyye trudy [Selected works]. Moscow, AN SSSR Publ., 1957. T. 5. 385 p. (in Russian).

8. Kremenshteyn B. Pedagogika G. G. Neygauza [Pedagogy of G. G. Neuhaus]. Voprosy istorii, teorii, metodiki [Questions of history, theory, methods of teaching]. Moscow, Muzyka Publ., 1984. 89 p. (in Russian).

9. Neygauz G. G. Ob iskusstve fortepiannoy igry: zapiski pedagoga. 5-e izd. [On the art of piano playing: notes of the teacher]. Moscow, Muzyka Publ., 1988. 240 p. (in Russian).

10. Korto A. O fortepiannom iskusstve [About piano art]. Moscow, Muzyka Publ., 1965. 246 p. (in Russian).

11. Kremlev Yu. A. Klod Debyussi [Claude Debussy]. Moscow, Muzyka Publ., 1965. 792 p. (in Russian).

kurbonova_g._n._126_130_3_192_2018.pdf ( 418.4 kB ) kurbonova_g._n._126_130_3_192_2018.zip ( 412.54 kB )

Issue: 3, 2018

Series of issue: Issue 3

Rubric: PEDAGOGY OF HIGHER EDUCATION

Pages: 126 — 130

Downloads: 1277

For citation:


2026 Tomsk State Pedagogical University Bulletin

Development and support: Network Project Laboratory TSPU