Tomsk State Pedagogical University Bulletin
RU EN






Today: 09.01.2026
Home Issues 2014/ Year Issue №7 AUTHOR MODEL OF LITERARY TEXT AS A SYNTHESIS OF THE EXPRESSIVE POSSIBILITIES OF THE KIND OF LITERATURE
  • Home
  • Current Issue
  • Bulletin Archive
    • 2025 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2024 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2023 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2022 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2021 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2020 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 2019 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
    • 2018 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
    • 2017 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2016 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2015 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2014 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2013 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2012 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2011 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
      • Issue №13
    • 2010 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2009 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2008 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2007 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
    • 2006 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
      • Issue №10
      • Issue №11
      • Issue №12
    • 2005 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 2004 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 2003 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
    • 2002 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
    • 2001 Year
      • Issue №1
      • Issue №2
      • Issue №3
    • 2000 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
      • Issue №8
      • Issue №9
    • 1999 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
      • Issue №7
    • 1998 Year
      • Issue №1
      • Issue №2
      • Issue №3
      • Issue №4
      • Issue №5
      • Issue №6
    • 1997 Year
      • Issue №1
      • Issue №2
      • Issue №3
  • Search
  • Rating
  • News
  • Editorial Board
  • Information for Authors
  • Review Procedure
  • Information for Readers
  • Editor’s Publisher Ethics
  • Contacts
  • Manuscript submission
  • Received articles
  • Accepted articles
  • Subscribe
  • Service Entrance
vestnik.tspu.ru
praxema.tspu.ru
ling.tspu.ru
npo.tspu.ru
edujournal.tspu.ru

TSPU Bulletin is a peer-reviewed open-access scientific journal.

E-LIBRARY (РИНЦ)
Ulrich's Periodicals Directory
Google Scholar
European reference index for the humanities and the social sciences (erih plus)
Search by Author
- Not selected -
  • - Not selected -
Яндекс.Метрика

AUTHOR MODEL OF LITERARY TEXT AS A SYNTHESIS OF THE EXPRESSIVE POSSIBILITIES OF THE KIND OF LITERATURE

Golovchiner V.E., Rusanova O.N.

Information About Author:

The article is dedicated to finding new scientific ideas about the forms of contemporary literature. Noting that instead of differentiating, regulatory paradigm of the genre in the nineteenth – XXI centuries comes looser, synthesizing one, the authors propose to consider non-classical, non-canonical works of the newest forms of literature as author’s models. Such model performs the function of genres, but have a new degree of freedom. New degree of freedom is determined by the authors, firstly, by using the product of the expressive possibilities of different genres of the single ancestral paradigm, and secondly, by the orientation not on the form of the genre but on the well-known plot, motive, the situation of the repertoire of world culture or an event of actual reality. Key concepts: the literary kind, genres, non-classical form, the epic and lyric drama, Pushkin, Blok, Mayakovsky, the author's model, the cultural model.

Keywords: literary genus, genres, non-canonical form, epic and lyric drama, Pushkin, Blok, Mayakovsky, creation as the author’s model of the text, cultural model

References:

1. Tamarchenko N. D. Methodological problems of the theory of gender and genre in the poetry of the twentieth century. Proceedings of the Academy of Sciences. A series of language and literature. Moscow, 2001, vol. 60, no. 6, pp. 3–13 (in Russian).

2. Theory of Literature. Moscow: IMLI RAN Publ., 2003. Vol. 3: Genera and genres (the main problems in the development of historical interpretation.). 592 p. (in Russian).

3. Golovchiner V. E. Trends genre- generic changes in Russian literature of the twentieth century. Russian Literature of the XX–XXI: theory and methodology of the study: Proceedings of the Third International Scientifi c Conference (4–5 December. 2008 ). Moscow, Izd-vo MGU Publ., 2008. Pp. 10–14 (in Russian).

4. Rusanova O. N. Motive in the Aspect of Historical Poetics. Tomsk State Pedagogical University Bulletin, 2006, no. 8 (59), pp. 120–126 (in Russian).

5. Pushkin A. S. CAP in ten volumes. Leningrad, Nauka Publ., 1979 (in Russian).

6. Tolstoy L. N. Collection of works in twenty-two volumes. Vol. X. Moscow, Khudozhestvennaya literatura Publ., 1981 (in Russian).

7. Tolstoy about literature. Articles. Letters. Diaries. Moscow, 1955 (in Russian).

8. History of Russian Soviet literature. In 4 volumes. Vol. 1. 1917–1929. Moscow, Nauka Publ., 1967 (in Russian).

9. Erdman N. Plays. Sideshows. Letters. Documents. Memoirs of contemporaries. Moscow, 1990. 448 p. (in Russian).

10. Golovchiner V. E. Dramaturgy of Erdman N. in the Soviet and post-Soviet perception. Russian literature in the modern cultural space. Proceedings of the III All-Russian Scientifi c. confer. Part. 2. Tomsk, 2005. Pp. 94–100 (in Russian).

11. Stepin V. S. Theoretical knowledge. Moscow, Progress-Traditsiya Publ., 2000. 744 p. (in Russian).

12. Brecht B. Theatre. In 5 vol. Moscow, Iskusstvo Publ. 1963–1964 (in Russian).

13. Chirkov A. S. The epic drama (theory and poetics). Kiev, Vishcha Shkola Publ., 1988. 160 p.

14. Chirkov A. S. The epic drama. Problems of the theory. Poetics. Kiev, 1989. 35 p.

15. Aristotle. Poetics. Moscow, GIHL Publ., 1956. 183 p. (in Russian).

16. Golovchiner V. E. The epic drama in Russian literature of the twentieth century. Tomsk, Izd-vo Tomskogo gos. ped. un-ta Publ., 2007. 320 p. (in Russian).

17. Belinsky V. G. Aesthetics and literary criticism. In 2 vol., Moscow, 1959. Vol. 1 (in Russian).

18. Block A. Collection of works in 6 volumes. Moscow, 1971. Vol. 2. 477 p. (in Russian).

19. Fomenko I. V. Lyrical drama – Myth or Reality? Drama and Theatre: collection of scientifi c. works. Tver, Tver gos. un-t Publ., 2002. Issue. III. Pp. 23–27 (in Russian)

20. Gogol N. V. Collection of works in 8 vols. Vol. 4. Moscow, Pravda Publ., 1984. 430 p. (in Russian).

golovchiner_v._e._178_185_7_148_2014.pdf ( 434.63 kB ) golovchiner_v._e._178_185_7_148_2014.zip ( 427.29 kB )

Issue: 7, 2014

Series of issue: Issue 7

Rubric: THEORY OF LITERATURE

Pages: 178 — 185

Downloads: 1726

For citation:


2026 Tomsk State Pedagogical University Bulletin

Development and support: Network Project Laboratory TSPU