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Orlova O.V., Pushkareva I.A. .. Tomsk State Pedagogical University Bulletin. 1997. Issue 2 (2). P. 52-53

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Pushkareva I.A. .. Tomsk State Pedagogical University Bulletin. 1998. Issue 6 (9). P. 9-11

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Pushkareva I.A. Associative Semantic Fields «Time» and «Space» in the Prosaic Text (J.A. Bunin «A Hundred Rupees»). Tomsk State Pedagogical University Bulletin. 2002. Issue 1 (29). P. 21-25

The article is dedicated to the investigation of the fragments of associative semantic fields «Time» and «Space» in the text of J.A. Bunin's story «A Hundred Rupees». Analyzing the structure of associative semantic fields on the basis of semantic lexical paradigms the author reveals the artistic sense of the work.

Pushkareva I.A. THE HEADLINE IN INFORMATIVE AND EVALUATIVE SPACE OF A CITY NEWSPAPER. Tomsk State Pedagogical University Bulletin. 2011. Issue 3 (105). P. 69-75

Informative, evaluative functions and stylistic features of newspaper headlines are examined in this article. Newspapers «The Kuznetsky rabochy» and «The Novokuznetsk» are materials for analysis. Headlines of newspaper materials are groped thematically.

Keywords: newspaper style, strong position of the text, functions of the headline, subject

Pushkareva I.A. SOCIAL EVALUATION IN A MODERN NEWSPAPER STYLE. Tomsk State Pedagogical University Bulletin. 2012. Issue 1 (116). P. 237-243

This research is devoted to features of a newspaper style (category of social evaluation). Valery Nemirov’s works (newspaper “Kuznetsky rabochy”, Novokuznetsk) are materials for analysis. Methods and means representing social evaluation are described in the article.

Keywords: a newspaper style, artistic social and political essays, an author, social evaluation

Pushkareva I.A. ABOUT THE INTERACTION OF ANOTHER AUTHOR'S SPEECH AND AN ATHOR'S CONTEXT IN TEXTS OF NEWSPAPER STYLE (DATA: THE CITY NEWSPAPER “KUZNETSKY RABOCHY”). Tomsk State Pedagogical University Bulletin. 2012. Issue 10 (125). P. 189-195

Such aspect of subjective organization of a newspaper text as stylistic features of the image of another author's speech is described in the article. Stylistic means and methods of creation of the social and speech portrait and of the lyrical metatext with the help of another author's speech are exposed.

Keywords: newspaper style, speech subject, another author' speech, quotation, direct speech, reported speech, exposition, social and speech portrait, lyrical metatext

Pushkareva I.A., Pushkareva Y.E. Image of snow in the poetry by Tayana Tudegesheva: semantic and stylistic analysis. Tomsk State Pedagogical University Bulletin. 2026. Issue 4 (246). P. 45-55

Contextual senses of a word with a landscape semantics reflect an individual world picture of the author. The word snow has a rich and diverse semantics in Russian poetry. The purpose of the article is to consider semantic and stylistic features of the image of snow in the poetry by a contemporary poet Tayana Tudegesheva (1957–2022) based on analyzing lexical structure of a poetic text. Semantic and stylistic analysis is based on ideas of M. N. Kozhina (the concept of imaginative literary concretization) and N. S. Bolotnova (the concept of lexical structure of a poetic text). Description of textual syntagmatics and paradigmatics considers expressive means representing different levels, although the lexical level is recognized as the main one. Associative and verbal network of the text is studied in accordance with the author’s idea and the reader’s reception patterns. Each associative direction, as a contextual “group of associations with a common strategy” (A. P. Klimenko), creates a specific aspect of the image. Verses and poems of the collection The Celestial Flight of the Nine-Eyed Arrows (2007) by Tayana Tudegesheva are material for semantic and stylistic analysis. The authors of the article selected 16 (from total 110) texts containing lexical representants of the image of snow, which were analyzed regarding their contextual syntagmatic and paradigmatic connections. In the poetry by Tayana Tudegesheva, the image of snow not only reflects climate of her motherland, Gornaya Shoria (Mountain Shoria), but also expresses connotations of several topics important for the poet. Semantic and stylistic analysis of the poems and verses of the collection The Celestial Flight of the Nine-Eyed Arrows shows that the contexts containing words with the root snow (-sn’eg- or -sn’ezh- in Russian) can be divided into three groups: autopsychological, ethnocultural, and philosophical. All the five Russian parts of the book contain the image of snow. The words representing this image are especially numerous and diverse in the contexts actualizing the topic of love: snow, snowflakes, snowfall, snow-white. In accordance with the poetics of contrast, Tayana Tudegesheva includes the word snow into pairs of antonyms actualizing contextual meanings; she uses alliteration and such epithets as silent, white, shining, untrodden. Tayana Tudegesheva personifies snow, for example, through the image of grey hair, which is constant in her poetry. The epithet snow defines mountains, peaks, a dress of the “snowstorm shaman”, wind, peace. Snow is also an object of comparison: two comparative contexts contain the image of flowers realizing the topic of love, while another one is ethnocultural and contains the portrait of a snowstorm spirit. Authopsychological contexts of the image of snow are tied to the topic of love and thoughts of the heroine’s way. Ethnocultural contexts demonstrate the topic of destiny of the Shor people, their beliefs and traditions. Philosophical contexts include the topic of a constant movement, change of stages, periods, and epochs.

Keywords: semantic and stylistic analysis, communicative stylistics of text, lexical structure of a poetic text, semantic lexical paradigms, image of snow, idiostyle of T. Tudegesheva