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| 1 | The article discusses the thematic range of V. S Solovyov’s lyrics. This issue is periodically raised in the Russian science about Solovyov, but the poetry of this lyric poet is analyzed either by thematic groups without specifying the subjects in them, or excluding some important layers of his creative work. Defining the nature of the Solovyov’s poetry as philosophical, the author emphasizes that it is impossible to ignore the fact that apart from the actual philosophical part, there is the so-called «comic» lyrics in his legacy, largely reflecting the specificity of ideology of the author, his aesthetic and artistic views. The author of the article analyzes Solovyov’s lyrical legacy in terms of the key themes and its changes in different periods of creativity, drawing as the material all diversity of art selfactualization of Solovyov-poet. The research was performed on the basis of the comparative-historical and typological methods. Stages of formation of the landscape, love, proper philosophical and humor lyrics of Solovyov are traced. The closeness of the themes of Solovyov’s poetry with Russian and Western European romantic lyrics (V. A. Zhukovsky, K. N. Batyushkov, M. Yu. Lermontov, G. Heine, A. Mickiewicz) on the one hand and philosophical lyrics of F. I. Tiutchev, on the other hand, is observed. In addition, there is a presence of the individual echoes of eastern gafiz and slavinofil poetic traditions. In addition, a presence of the separate echoes of the eastern, gafiz and slavophilic poetic traditions is observed. As a result of the research the conclusion about the breadth of the thematic range of the Solovyov’s lyrics is made. Frequence of the key themes of his poetry is not associated with the poverty of his lyrics, but with the author’s loyalty to his favorite poetic ideas, with the intense development and the constant deepening of them. Keywords: V. S. Solovyov, philosophical lyrics, landscape lyrics, love lyrics, comic lyrics, themes, transformation of theme, poetic tradition, motive, imagery, irony | 1674 | ||||