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| 1 | The article presents an analysis the Russian literature 1840-60 in the context of philosophical ideas about the love and marriage. The author views the construction of plot in the general and marginal texts of the literary process of XIX century. Keywords: gender research, feminism, patriarchal mentality, philosophy of gender, dialog of culture, comparative analysis, belles-lettres | 1537 | ||||
| 2 | The author of this article is examining the issue of researching feminine autobiographical literature. Several models of self-description are traced in the women’s autobiographical literature of the 18–19th centuries in the gender aspect. The form of mediate self-interpretation is illustrated with the material of “The Memoirs” by N. Dolgorukova and “The Memoirs” by S. V. Capnist-Skalon. Keywords: Gender research, feminism, patriarchal mentality, philosophy of gender, dialog of culture, selfrepresentation, memories prose, gender aspect | 1381 | ||||
| 3 | The article presents the research of the A. Panaeva’s prose from the point of view of the artistic space and its content. The research of the think-world semantics and the artistic space modeling methods allow specify the author’s world picture and her creative method. Keywords: Women’s prose, gender, artistic space, mean, Panaeva, poetics, artistic concepts | 1432 | ||||
| 4 | Presents an analysis of the «Petersburg text» by A. Ya. Panaeva. The image of St. Petersburg serves as the dominant spatial poetics of Panaeva’s prose, in which we can trace triadologic logic. The investigation of the St. Petersburg area, as embodied in the works of Panaeva, is carried out in the context of the Russian literature of the 19th century. Keywords: A. Ya. Panaeva, gender research, “Petersburg text”, binary principle, ternary principle, spatial poetic | 1338 | ||||
| 5 | This article examines the critical reception of women's literature, presented in correspondence of Goethe and Schiller 1798–1801 years. In European literature the becoming of canon of critical reception of women-authors’ works occurs at the end of the XVIII century and is associated with the names of Goethe and Schiller. Women's literary works in perception of classics intersects with the notion of “literary dilettantism” and different characteristics such as subjectivity, “fluidity”, “grace”, etc. The study of the corpusof the texts represented in the domestic criticism of the first half of the XIX century, reveals the criteria for evaluating women's literature which are identical to the German, European canon. Keywords: critical reception, women's literature, Goethe, Schiller, gender studies, literary dilettantism, female authorship, Russian-German literary interaction | 1410 | ||||
| 6 | The article considers the results of the Round Table “The development of Russian national world-making in the space of intercultural dialogue: Russia and Germany”, held on December 2, 2013 in Tomsk State Pedagogical University. A brief review of the reports delivered, their relevance and scientific innovation are marked. Keywords: literary comparative studies, Russian-German literary and cultural interaction, national worldmaking, dialogue of cultures, gender identity, critical reception, author, imagology, translation studies, contact connections | 1351 | ||||
| 7 | The article deals with the analisis of the peculiarities of biblical discourse in contemporary children's literature on the basis of works of Kemerovo writer V. L. Lavrina, considerable part of that is made by fairy-tales for children. The specifics of the literary fairy tale is determined both by the individual peculiarities of the author's view of the world and by the external factors set, including the codes of genre memory. The range of genre memory, characteristic for most fairy-tales of V. L. Lavrina, includes not only traditions of folklore and literary magic fairy-tale, but also christian literature. The spiritual and moral issues of the fairy-tale “Wonderful dress”, coupled with the themes of love and betrayal, crime and punishment, sacrifice and selfishness, the real and the imaginary, are conceptualized in the context of the biblical allusion plan dating back to the Old Testament story of King David and Uriah. Keywords: children's literature, modern literary process, biblical discourse, allusion, motive, spiritual and moral issues, religious picture of the world, parable | 1247 | ||||
| 8 | The article investigates the details of modeling the image of France in “Memoirs” of P.E. Annenkova. Topos of France included in the paradigm of Russia/Europe, is one of the chronotopic dominantof the Autodocumental text describing its conceptual sphere, embodied the specificity of the memoirist’s world picture, mechanisms of self-interpretation and self-description and represented in it author’s reception of the Russian-French cultural dialogue. The dichotomy France/Russia correlates with the semantic pair own/someone else’s, center/periphery. French reality is recreated in “Memoirs” as through the characteristics of its spatial structure and through the spiritual and moral reconstruction of cultural and historical sphere. Events of the private life of the heroine, the rhythms of the provincial world order are highlighted through the prism of history and the stay in Paris is defined by the semantics of exclusion, restriction or locality. The setting up of the young heroine consists not only of the family members, but also of the historical figures. As an important for the author guide in the process of self-interpretation is presented the image of a father and a model of Decembrist personality and culture. Keywords: memoir, image of France, dialogue of cultures, imagologiâ, reception, concept sphere, model of selfdescription, dekabrizm | 1217 | ||||
| 9 | On the material of the novel “Teacher of fencing” by А. Duma and memoirs of P. Annenkova the author examines the semantics of the image of the decembrist’s wife expressed in the culture of the second half of the 19th century. The specificity of functioning of this type of woman personality comes to light in artistic and autodocumentary discourse. In addition, the analysis is carried out in a comparative aspect: the variants of the Russian and French reception of the decembrist culture and the image of decembrist’s wife are compared. In Russian literature maintenance of the concept of decembrist’s wife is based on spiritually-moral descriptions: oblatory love, devotion, loyalty, patience, courage. The ethical markers of this woman type are genetically related, on the one hand, to аutodocumental tradition of description of a wife, sharing the fate of the “disgraced” (often exiled to Siberia) spouse; and on the other hand, ascend to canonical character of a righteous wife, characteristic of the hagiografic genre. In the novel of А. Duma the beloved of the decembrist I. Annenkov is represented exceptionally in the field of love and love plot, and the chronotop of the novel is limited to the space of intimate history. Thus, the love of the character is interpreted by the teller only as a display of a strong woman passion and is not connected with the spiritually-moral categories of debt, sacrifice, etc. The image of the woman character in the Duma’s novel substantially differs from its prototype (P. Аnnenkova) and from the heroic type of woman personality presented in the Russian literature. Keywords: dekabrizm, autodocumentary literature, reception, dialogue of cultures, poetics, woman personality, referentional, character, discourse, historical novel | 1483 | ||||
| 10 | The article analyzes the little studied component of the national culture – the religious artistic discourse of the first third of the XX century: lyrical texts, created mainly, in the conditions of exile and camps of 1920–30. Tatyana Nikolaevna Grimblit’s literary heritage, extracted from archival sources, is compiled into scientific circulation. She composes several dozen poems, which can be regarded as a kind of an auto-commentary on her life. The poetic texts of T. Grimblit are lined up in a certain plot, revealing the main landmarks of the heroine’s spiritual path and reflecting the appearance of the epoch. The religious-ethical picture of the world of T. Grimblit is investigated, based on the Christian doctrine and defining the specifics of the chronotopic system of lyric poetry. Specifics of the spatial poetics of lyrical texts T. Grimblit are determined: the principle of dichotomy, which includes an image of an obese socium, on the one hand, and sacred reality on the other. To the spiritual sphere is not only the world of the soul of the lyrical heroine, but the images of natural being, incl. Siberian chronotope. The ways of modeling the movement of Siberia in the lyrics of T. Grimblit are analyzed: retrospective, implicit, natural philosophical. The chronotope of Siberia is recreated in a retrospective aspect and with an implicit position, which determines its positive characteristics in the text: as a native space for the heroine, performing the functions of protection and being the source of inspiration. The Siberian chronotope is comprehended by the author in the natural-philosophical aspect: as a sign of the divine presence in the earthly world. The natural-philosophical interpretation of the image of Siberia in T. Grimblit’s lyrics is supplemented by an indication of specific toponyms, as well as an appeal to universal formulas that go back to the folklore tradition. Keywords: Siberian text, chronotope, world view, spatial poetics, ambivalence, religious and philosophical lyrics, natural philosophy, Christian discourse, opposition center – periphery, folklore formulas, lyrical heroine | 1342 | ||||
| 11 | Introduction. The Orthodox periodicals of the era of the turn of the 19th – 20th centuries, being an integral part of domestic journalism, contain a large corpus of publications dedicated to domestic and foreign writers, incl. N. V. Gogol.Turning to the critical discourse about Gogol, presented on the pages of pre-revolutionary church journals, will clarify the issue of the perception of the personality and work of the writer in scientific and theological circles, and will also help build a holistic picture of Gogol’s reception in criticism of the frontier era. The purpose of the article is to study the critical reception of the personality and creativity of N. V. Gogol in church academic periodicals of the early 20th century. Material and methods. The material of the study was the articles of the “Bogoslovskiy vestnik” of the late 19th – early 20th century, dedicated to Gogol, as well as publications of various genres containing reflections or background references to Gogol and his works. Journal materials are analyzed in the historical and literary aspect, and are also considered from the standpoint of receptive aesthetics and the sociology of literature. Results and discussion. Based on the results of the study, a conclusion was made about the specifics of Gogol’s critical reception in the journal of the Moscow Theological Academy, the chronology of which covers about 17 years. The most active phase of the perception of Gogol’s personality and work in the “Bogoslovskiy vestnik” falls on the period of his anniversaries in 1902 and 1909, when literary critical studies of teachers and professors of the Academy dedicated to him were published, as well as materials from a literary evening dedicated to the centenary of the birth of the writer. Outside of Gogol’s anniversaries, critical discourse about the writer includes articles on scientific and theological issues, but containing reflections on the writer’s religious outlook and his artistic work, as well as materials (letters, memoirs etc.) in which there are only brief mentions of the writer. The mechanisms of Gogol’s critical reception in “Bogoslovskiy vestnik” are determined by the desire to comprehend the “mysterious personality” of the writer, his “complex inner world”, as well as to evaluate his contribution to the formation of Russian religious culture. Conclusion. The image of Gogol, presented on the pages of the “Bogoslovskiy vestnik”, reflects the contradictions in the perception of his personality and work, which are generally characteristic of literary criticism at the turn of the century, when the writer either continued to be accused, calling him an “apostle of ignorance” and a reactionary, or defended, seeing in him an ascetic artist and a serious thinker. Keywords: N. V. Gogol, critical reception, “Bogoslovskiy vestnik”, church periodicals, writer’s anniversary, literary reputation, spiritual prose, the concept of “two Gogols” | 898 | ||||
| 12 | At the turn of the XVIII–XIX centuries, history, which was traditionally considered as part of literature, art, acquires the status of science. At this time, its branches such as philosophy of history, source studies, etc. are intensively developing, a scientific methodology for studying and describing the past is being formed. Gogol’s understanding of history approaches at least two concepts established in the historical science of the first third of the XIX century: biblical historicism and universal history. The initial idea for both is the postulate about the action of Divine providence in the earthly existence of an individual and all mankind. In Gogol’s picture of the world, the idea of Fishing was established quite early and was reflected in historical journalism, letters and works of art. The Christian concept of Divine providence is also read in the artistic system of the story “Taras Bulba”, defining its chronotopic and motivic organization, the system of characters. To determine the features of Gogol’s historiosophical concept and the author’s strategies of its artistic embodiment in the story “Taras Bulba”. The research material was Gogol’s artistic and journalistic works, as well as his epistolary. The material is analyzed in religious-philosophical and historical-literary aspects. According to the results of the study, a conclusion is made about the specifics of Gogol’s historiosophical views, including the artistic historiosophy embodied in “Taras Bulba”. In the poetics of “Taras Bulba”, the idea of Divine providence can be traced not only at the conceptual level, but also in the motivic complex and chronotopic organization. The motivic complex of “Taras Bulba” includes the following semantic links: the will of God and the free will of man, the situation of choice, the search for one’s place/destiny, the fulfillment of one’s duty as a manifestation of free obedience to God, etc. The chronotope of the story is characterized by a combination of different time plans, which allows the author to show history as an integral system, pointing out the causes of events and their consequences, as well as to present the historical process and the earthly existence of man in the vector of Divine Providence. Depicting the past of Russia, Gogol focuses on the fact that the “stone fabric” of great history is woven from the “threads of biographical” private stories, that the historical process is the result of a dialogue between the free will of man and Divine providence. “Taras Bulba” is characterized by a multifaceted and mobile optics of the image, which focuses on both epochal events of national history and personal stories of individual characters, including details of the description of their inner world. Keywords: N. V. Gogol, “Taras Bulba”, historiosophy, Divine providence, biblical historicism, universal history, the motive of freedom of choice, the motive of the search for one’s own destiny | 731 | ||||
| 13 | The topic “Gogol and Bukharev” has moved into literary studies from the theological sphere. V. A. Voropaev was one of the first to turn to its philological understanding, who included the book by O. Feodor (Bukharev) “Three Letters to Gogol written in 1848” in the context of the problem of perception of “Selected passages from correspondence with friends” in the criticism of the XIX century. It seems that no less significant for modern science is the question of the ideological community of the writer and the theologian, their influence on each other, which left a mark in the activities of each of them. The purpose of the article is to use the material of memoirs and journalistic texts from the last third of the 19th – early 20th centuries to determine the most significant factors that served as a prerequisite for the spiritual rapprochement of Gogol and Bukharev. The research material was published in pre-revolutionary periodicals (“Theological Bulletin”, “Orthodox Interlocutor”, etc.) memoirs, notes, obituaries dedicated to Archimandrite Theodore and containing in one way or another information about his acquaintance with Gogol. The materials are analyzed in an interdisciplinary aspect: the historical and literary method is complemented by methodological tools of receptive aesthetics and biblical theology. Based on the results of the study, it was concluded that both Gogol and Archimandrite Theodore (Bukharev) had an interest in the personality and theology of the Apostle Paul. It seems that this circumstance played a decisive role in the ideological and spiritual rapprochement of the writer and the theologian. Beginning in the late 1840s, Bukharev prepared a number of scientific and theological works on the Apostle Paul (“The Teaching of the Ap. St. Paul on the Antichrist in the 2nd Epistle to the Thessalonians”, “Several articles on the Holy Apostle Paul”, “On the authenticity of the Apostolic Epistles”, "On the Epistle of the Apostle Paul to the Philippians”, “On the Epistle to the Romans”, etc.), laid the foundations for the study of the apostolic part of the New Testament in Russian biblical studies. Probably, Archimandrite Theodore became a kind of consultant for Gogol on the interpretation of the letters of the Apostle Paul. Both the writer and the theologian can be called “disciples of the Apostle Paul,” who drew from his epistles a set of theological ideas that largely determined their religious experience, and in relation to Gogol, their aesthetic concept. It is difficult to say unequivocally who influenced whom – the theologian or writer – because there is almost no direct evidence that reports on the specific content and nature of Gogol’s conversations with Father Theodore. Most likely, the influence was mutual and equivalent, since they were united by common ideas, interests and a common mentor in the interpretation and application of Christian teaching in life – St. Paul the Apostle. Keywords: N. V. Gogol, Archimandrite Theodore (A. M. Bukharev), Metropolitan Filaret (Drozdov), “Three Letters to Gogol written in 1848”, Apostle Paul, Russian Biblical studies, theological reception of Russian literature, memoirs | 1653 | ||||
| 14 | The article is devoted to the professional pedagogical and scientific activity of Doctor of Philology, Professor Olga Bodovna Kafanova. The article presents the main scientific directions of her work. Among them are comparative studies, Russian-French literary connections, George Sand, gender studies. The article gives an overview of her research on Russian and foreign literature and translation studies, outlines her professional contribution to the development of international cooperation in the field of science and education. Keywords: anniversary, Doctor of Philology, Professor Olga B. Kafanova, George Sand, scientific activity | 614 | ||||
| 15 | The literary tradition of the religious and philosophical study of N.V. Gogol’s novel "The Overcoat" is mainly associated with the identification of evangelical images, motifs, plots (e.g., allusions to the parables of the marriage feast, about the rich man and Lazarus, etc.), as well as components of the hagiographic text (primarily, the lives of St. Acacius of Sinai, as well as St. martyr Acacius). The purpose of the article is to consider the semantic dominants of the story in the context of the epistles of the Apostle Paul, whose personality and theology had a significant impact on Gogol’s worldview and creativity. In the "The Overcoat" there are motifs letter – spirit, old – new, etc., which go back to the apostolic text. The letter – spirit antithesis is not just a background motif of the story, but forms a microplot of writing inside the plot about the official, which is formed with the help of such semantic nodes as the writing person, text, letter. Bashmachkin’s "Official for writing" exists in a world of text that breaks down into letters and is devoid of meaning. His focus on the service of the letter and indifference to everything else, including the spiritual world, correlates with the antithesis of the dead letter – life-giving spirit indicated by the Apostle Paul. The binary oppositions old – new, "inner man" – "outer man", emphasized in the epistles of the Apostle Paul, define the core of Gogol’s artistic anthropology, which asserts the idea of spiritual formation and spiritual choice of man. In this regard, the plot of Bashmachkin is read as a story about the tragic fall of a man from his high destiny, as a story about a man who did not make the transition from a sinful existence to a meaningful existence in the spirit. Keywords: N.V. Gogol, "The Overcoat", the Apostle Paul, apostolic text, St. Petersburg text, the plot of the letter, the plot about the official, letter, word, text, scriptwriter, "little man" | 447 | ||||