Search
| # | Search | Downloads | ||||
|---|---|---|---|---|---|---|
| 1 | The concept of love is one of the key concepts in N. A. Zabolotsky’s lyrics. Outstanding manifestation of the concept of love researches noticed in the late poet’s lyrics, however, in the early period of creation, in the cycles “City columns” and “Mixed Columns” the concept of “love” is also in the picture but used for the main writer’s idea to show the spiritless and spoiled world of NEP, that’s why it acquires unusual forms of verbalization and peculiar content. The purpose of the article is to identify the features of the content and ways of representing the concept of “love” at the early and late periods of N. A. Zabolotsky’s creativity. The article represents the results of the analysis of N. A. Zabolotsky’s poems of different years, including the concept of “love”. Biographical, semantic-stylistic, contextual, comparative, as well as conceptual methods are used, which allow revealing the features of the content, representation and perception of the concept of “love” in N. A. Zabolotsky’s lyrics by the reader. The analysis of the poems made it possible to identify and formulate the features of the content and structure of the concept of “love” in the lyrics of N. A. Zabolotsky. The difficult period of New Economic Policy had an affect at his creativity: in his first cycles “City Columns” and “Mixed Columns”, author creates an inverted, “turned inside out” world in which love exists only as animal passion and immorality. There is no woman as an object of love in this world, there are only “either sirens, or girls” and “women”. In the later period, due to N. A. Zabolotsky’s passion for philosophical ideas, the concept of “love” was modified both in terms of content and in methods of representation. In the later period, due to N. A. Zabolotsky’s passion for philosophical ideas, the concept of “love” was modified both in terms of content and in methods of representation. A woman and a wife comes to the first level as an object of love, and feeling becomes deep and pure. The analysis of stylistic, linguistic and artistic features of N. A. Zabolotsky’s lyrics of different years allowed us to formulate the peculiarities of the transformation of the concept of “love” relative to the early and late periods of creativity. Keywords: concept, art concept, language element, associative-semantic area, stylistic method | 960 | ||||
| 2 | N. A. Zabolotsky’s worldview remains insufficiently studied. Among the key concepts of interest for the study of the author’s idiosyncrasy, the concept of “creativity” can be distinguished. An important part in the analysis of the poet’s conceptual sphere is the identification of the lexical structure, content and representation of the concept of “creativity” in the poet’s lyrics of different years. The goal of the work is to identify the features of the structure and ways of representing the concept of “creativity” in N. A. Zabolotsky’s lyrics in different periods of the poet’s work. The research uses the continuous sampling method, conceptual analysis, biographical, comparative, contextual, semantic and stylistic. The article presents the results of a study of N. A. Zabolotsky’s poems from 1926 to 1958, which used the direct nominee of the concept “creativity” and associatively and semantically related lexemes. Using the methodology of modeling intertextual associative-semantic parts allowed us to identify the features of the content of the concept of “creativity” and its lexical embodiment in the communicative and activity aspect. The study was conducted in line with the communicative style. As a result of the analysis of N. A. Zabolotsky’s poems from different years, the features of the content and lexical embodiment of one of the key concepts of the poet’s lyrics – “creativity” in the dynamics of the author’s poetic activity were determined. The nominee of the concept is rarely represented in the author’s poetic texts, but is verbalized through multiple textual associations, for example: “singing”, “art”, “music”, “poetry”, etc. In the early period of the poet’s work, the nature of his perception of the surrounding reality is reflected in the content of the concept of “creativity”. In the author’s collections “Urban Columns” and “Mixed Columns” N. A. Zabolotsky, depicting the “inverted” and absurd world of the NEP era, creates a specific version of the understanding of the concept of “creativity”, which differs from the interpretation of the concept in late lyrics. The later lyrical works of N. A. Zabolotsky reflect a more familiar understanding of the concept of “creativity” for the reader. His philosophical views was changed. Some events of the poet’s personal life affect the author’s worldview, reflected in the content and means of representation of the concept under consideration. In the late period, Zabolotsky’s creativity is often associated with nature, which is the inspiration, reflection or independent creator of a particular type of art. The analysis of N. A. Zabolotsky’s lyrical works from different years made it possible to identify and formulate the features of the content and lexical embodiment of the concept of “creativity” in poems from 1926 to 1958. The results are important for the study of the evolution of the author’s poetic worldview. Keywords: concept, artistic concept, keyword, associative semantic field, stylistic device | 916 | ||||
| 3 | The concept of life, being the key to the national picture of the world and the creations of N. A. Zabolotsky, is reflected in the poet’s creations both of the early period, represented by the collection «Columns and Poems», and of the late period («Poems (1932-1958)»). The content and means of representation of the concept changed with the author’s different worldview, it seems relevant to identify the dynamics in the work of the famous poet. The goal of the article is to study the peculiarities of the representation of the concept of life in N.A. Zabolotsky’s lyrics based on the theory of regularity developed in the communicative style of the text. The article contains the results of the analysis of poems written in different years. Various methods of analysis was used in the research, including conceptual, biographical, comparative, which made it possible to identify regulatory means and ways of representing the key concept of life and reflecting in them the dynamics of his poetic picture of the world. In his early lyrics, N.A. Zabolotsky presents life as a series of carnival processions filled with animate objects; life is turned upside down. In his later creations, the poet’s perception of life changes. Being influenced of natural philosophy, the poet closely connects the life of nature and human life, which are endowed with reason, feelings and harmoniously complement each other. Keywords: communicative stylistics of the text, theory of regularity, artistic concept, stylistic device, means of regularity, methods of regularity | 620 | ||||
| 4 | The article considers regulatory models reflecting the features of N.A. Zabolotsky’s poetic worldview and the dynamics of his creations. The relevance of the research is related to the need to study the effectiveness of the creative dialogue between the author and the addressee based on the linguistic means used by the author and their special foundation. This is due to the development of a global problem of understanding and specificity of aesthetic impact on the reader. The goal of the article is to clarify the definition of the regulatory model and to identify the features of their release in N.A. Zabolotsky’s poems written in different years. As material for the article used N.A. Zabolotsky’s poems of various years from the author’s collections Columns and Poems (1926–1933) and Poems (1932–1958). The research based on the use of the methodology of the communicative stylistics of the text, including the methods of semantic-stylistic, contextual and comparative analysis. It is stated that among the regulatory structures reflecting the interrelation of individual regulatory means at the level of text elements, the concept of a regulatory model is highlighted in the communicative style. Unlike other researchers worked within this scientific field, regulatory models are considered in the article at the level of separate relatively autonomous fragments of text in associative-semantic terms, corresponding to a certain micro-goal of the author in the process of general textual deployment. These mixed intermediate regulatory models reflect the interrelation of various regulatory tools and stylistic techniques and are considered as one of the stages in the implementation of the overall target program of the text in accordance with the author’s intention. They have their own specifics for different authors. Their identification is important interpretatively for understanding the author’s idiosyncrasy in his dialogue with the reader and studying the features of the author’s poetic worldview. In N.A. Zabolotsky’s lyrics, the dominant models of this type include regulatory models that include, in addition to various types of tropic blocks, the method of personification. The most frequent in early lyrics are regulatory models, which include tropic blocks and the grotesque. In the late lyric, among the regulatory models of this intermediate type, combinations of tropeic blocks predominate, often including the doubling of trails of the same type. By the nature of semantic relations and functions in the poet’s lyrics, these regulatory models are models of an amplifying-convergent type. The conducted research revealed some features of N.A. Zabolotsky’s idiosyncrasy in the communicative and activity aspect from the point of view of the author’s verbal skill in organizing a dialogue with the reader. Further study of various aspects of the regularity of poetic texts is of interest for the communicative theory of text, linguistic pragmatics and communicative stylistics. Keywords: communicative stylistics of the text, theory of regularity, regulatory model, regulatory tools, stylistic device, N.A. Zabolotsky | 113 | ||||