A.P. CHEKHOV’S “THE THREE SISTERS” FROM THE SOUND ASPECT

Panamareva Anna Nikolaevna

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In the article the sound (inclusive musical) content of the A. P. Chekhov’s drama “The Three Sisters” is considered. The sound and musical constituent of the drama is researched in the aspect of its ontological problems range: as representing the own world image of the play. The work is studied in the cultural context of the time of its creation that allows exposing the originality of Chekhov’s art ontology.

Keywords: Chekhov, world image, sound, music, rhythm

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Issue: 11, 2011

Series of issue: Issue 11

Rubric: Literature

Pages: 125 — 130

Downloads: 1024