CONTEXTUAL READING OF THE PLAY BY ALEXANDER VAMPILOV LAST SUMMER IN CHULIMSK (PART 2)
DOI: 10.23951/1609-624X-2018-2-204-210
The second part of the article presented in this publication continues the discussion about the contextual study of the play by Alexander Vampilov Last Summer in Сhulimsk. The study is based on the criticism methodology of studying of the literature that is relevant in contemporary literature and reveals the themes, problems, plots, motives common for the world literary space. The author’s model of the play by Alexander Vampilov, who worked in the tideway of a nonclassical art paradigm, is based on the free variation of elements of known plots (in particular, the above mentioned Romeo and Juliet) which act here as a cultural model. The most attention in the article is given to the devices of disclosing of the semantic potential of images of the main characters – Luka and Yeremeyev, to determination of their functions in the logic of the action and the location in the system of characters. It is noted that its characteristic feature is the multiple-level system of the action consisting of a set of plot lines, each of which has its reference, thus following to the literary model is obviously broken. The systematic displacement of accents in the solution of «another’s» plot allows one to build the author’s original concept of a person and the world.
Keywords: Russian dramatic art of the 1970th, literary context, text structures producing the meaning, system of images, functions of heroes
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Issue: 2, 2018
Series of issue: Issue 2
Rubric: PROBLEMS AND POETICS OF THE RUSSIAN LITERATURE OF THE XIX-XX CENTURIES
Pages: 204 — 210
Downloads: 1735