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Home Issues 2026 Year Issue №3 The Communicative style of the writer’s linguistic personality in the media (based on the discourse of D. Dragunsky, A. Matveeva, and T. Meyko)
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The Communicative style of the writer’s linguistic personality in the media (based on the discourse of D. Dragunsky, A. Matveeva, and T. Meyko)

Izvekova Y.B., Bolotnova N.S.

DOI: 10.23951/1609-624X-2026-3-81-89

Information About Author:

Izvekova Yu.B., postgraduate student, Tomsk State Pedagogical University (ul. Kievskaya, 60, Tomsk, Russian Federation, 634061). E-mail: vjatkina2009@yandex.ru; ORCID ID: 0009-0006-8300-6011; SPIN-code: 1548-8905. Bolotnova N.S., DPhil, professor, Tomsk State Pedagogical University (ul. Kievskaya, 60, Tomsk, Russian Federation, 634061). E-mail: nsb@tspu.ru; ORCID ID: 0000-0003-4655-5194; SPIN-code: 3708-6465; Researcher ID: C-4107-2018; Scopus Author ID: 57110427900.

The aim of the research is to identify and describe the specifics of reflecting a writer’s public linguistic persona idiolect in media communication, and to define models of communicative style variation across different media genres. The research is conducted within the framework of communicative text stylistics. The theoretical basis is A. V. Bolotnova’s model of idiolect, which includes cultural-speech, communicative, and cognitive substyles. The research material comprises discursive practices of three contemporary Russian writers: interviews and author blogs by Denis Dragunsky; interviews and the Telegram channel of Anna Matveeva; interviews by Tatyana Meyko. The study employed methods of discursive, semantic-stylistic, contextual, and comparative analysis. Based on the discursive practices of the three writers, it is proven that the idiolect of these linguistic personas in media represents a dynamic system with a stable cognitive-value core and variable communicative implementations. Three distinct models of writers’ media presentation are identified and described, demonstrating the dialectic of unity and variation in idiolect: 1) the synthesis model, characteristic of D. Dragunsky, based on blurring the boundaries between the author’s persona and a literary character through a strategy combining intellectual depth of content with confidential irony; 2) the genre code model, typical for A. Matveeva, characterized by a clear differentiation of communicative strategies – ironic self-reflection in the blog and expert analysis in interviews – while maintaining an elite speech culture across these media genres; 3) the direct transmission model, characteristic of T. Meyko, with a dominant artistic metaphorical style manifesting in media communication and serving to enhance the effect of the author’s authenticity and value orientation. Applying the comprehensive idiolect model to analyze writers’ media communication allows for identifying common and individual features in their discursive practices. It is established that successful media communication by a writer is built on varying degrees of adaptation of their individual cognitive and cultural-speech features across different media genres. The stability of a writer’s linguistic persona deep-seated attitudes, combined with flexible use of communicative tactics and strategies, is key to creating a recognizable and effective public image in the digital environment. The research results are of interest for the further development of communicative stylistics and media linguistics.

Keywords: communicative stylistics of the text, idiostyle, media discourse, сommunicative style, Denis Dragunsky, Anna Matveeva, Tatyana Meyko

References:

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izvekova_y.b._81_89_3_245_2026.pdf ( 441.54 kB ) izvekova_y.b._81_89_3_245_2026.zip ( 436.88 kB )

Issue: 3, 2026

Series of issue: Issue 3

Rubric: RUSSIAN LANGUAGE

Pages: 81 — 89

Downloads: 137

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2026 Tomsk State Pedagogical University Bulletin

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